EXP 3|Week 3|The plan, draft model

The Plan

My initial inspiration for the plan came from the Therme Vals by Peter Zumthor.  Taking the idea of a very modular and repetitive plan, I decided to soften these and turn them into round features.

 I also sought inspiration from two Japanese buildings, the Sendai Mediatheque by Toyo Ito and the Kanagawa Institute of Technology Workshop by Junya Ishigami (pictured below).  The first, Sendai Mediatheque, features 13 large columns that form the basis of the structure.  They allow the floor plates to be suspended with no floor to ceiling walls.

The second source of inspiration, the Kanagawa Institute of Technology Workshop is characterised by its 305 unique columns.  They appear randomly placed but are actually used to define the spaces and circulation within the building.  I have chosen to utilise this concept in a more obvious manner by using them to define my study spaces, workshops, meeting rooms and computer labs.

These are some of the sketches of my plan and elevation that drew inspiration from all 3 buildings mentioned above.

Draft Model

EXP 3|Week 2|18 two point perspectives, moving element

18, two point perspectives

 Top: Expanding, Dynamic, Rigid

Bottom: Below, Compact, Uniform

 Top: Protrusions, Multi-levelled, Arms

Bottom: Stout, Telescoping, Contained

 Top: Shadows, Steps, Funnel

Bottom: Launch, Stretch, Lengthen

 Top: Intersections, Expansive, Alfresco

Bottom: Landing point, Crucifix, Open

 Top: Level, Ruins, Aligned

Bottom: Rise, Cradle, Secure

 Top: Criss-crossed, #, Elevated, interlocked

Bottom: Balanced, Towering, Above

 Top: Peak, Shifting, Tectonic

Bottom: Cancerous, Dagger, Penetrating

 Top: Mountain, Crest, Urban

Bottom: Antenna, Precarious, Disproportionate

 Top: Hole, Symmetrical, Stack

Bottom: Interrupted, Warehouse, Detached

Moving Element Experimentation

EXP 3|Week 1|mashup, environment, 18 one point perspectives

MASHUP

With the intentions of designing a transparent structure, with a new experience of various senses of distances, a unique system to allow complete visibility was conceived.  Lighting for architecture is dominated by an engineering viewpoint, resigned to determining sufficient illuminance levels for a safe and efficient working environment.  I envisioned the creation of new spatiality that preserves primitive conditions of a harmonious entity before various functions, as well as illuminating the interior which allows for a poetic and visually intriguing design.

BLUE

Thomas Schielke. "Light Matters: Richard Kelly, The Unsung Master Behind Modern Architecture’s Greatest Buildings" 29 Apr 2014. ArchDaily. Accessed 17 May 2014. <http://www.archdaily.com/?p=501008>

GREEN

"Final Wooden House / Sou Fujimoto" 23 Oct 2008. ArchDaily. Accessed 17 May 2014. <http://www.archdaily.com/?p=7638>

RED

Sveiven, Megan. "Flashback: Sendai Mediatheque / Toyo Ito" 17 Mar 2013. ArchDaily. Accessed 28 May 2014. <http://www.archdaily.com/?p=118627>



Environment

My inspiration comes from the Shotover River in New Zealand.  I've chosen to exaggerate the landscape as shown.

18, One Point Perspectives

Top: peep hole, below 

Bottom: Intersecting crosses, levels

 Top: Disappearing, eye level

Bottom: Windows, height

Top: Thick, oppressive

Bottom: Floating, spacious

Top: Secular, look down on

Bottom: +FF, protruding

 Top: Long, minimal

Bottom: contrasting, Separated

Top: Brick, Container

Bottom: 3D, inside/outside

Top: Abstract, Angular

Bottom: Winged, Submerged

Top: T intersection, Busy

Bottom: Angled view, eye level

Top: Pierced, Grand

Bottom: Above, Repeating

EXP 2|Week 3|36 TEXTURES LIGHT TO DARK & FINAL MODEL

LIGHT TO DARK

FINAL MODEL
"Keep a minimalist aesthetic, promoting social interaction and a close relation to surroundings."

The final model shows the amalgamation of my rectilinear and curvilinear models along with the "space-in-between".  It is immersed in its surroundings and retains its minimalist aesthetic.

As a monument that is designed to be interactive and hands-on, the cantilevered beam and block provide a monument piece which can only be observed along with the distant mountains and lake.

This monument allows visitors to fully immerse themselves in it, perhaps by taking a dip in the water or simply admiring and getting close to the natural surroundings.

 A "close relation to surroundings" can be a monument blending in or connecting to its surroundings.  It can also be reflecting the surroundings through using materials gathered from the surroundings.

The social aspect is addressed with the "space-in-between" where people can gather around the fire and converse.  The minimalism allows the monuments themselves to be highlighted.

Link to Lumion Folder:

https://www.dropbox.com/sh/rny5n1iuobmpi0c/pGVU_VWSOf

Link to Sketchup Model:

https://www.dropbox.com/s/lx7foalf7itwi8b/Stephen%20Fok%20EXP%202.skp