With
the intentions of designing a transparent structure, with a new experience of
various senses of distances, a unique system to allow complete visibility was conceived. Lighting for architecture is dominated by an
engineering viewpoint, resigned to determining sufficient illuminance levels
for a safe and efficient working environment.
I envisioned the creation of new spatiality that preserves primitive
conditions of a harmonious entity before various functions, as well as illuminating the
interior which allows for a poetic and
visually intriguing design.
BLUE
Thomas Schielke. "Light Matters: Richard Kelly,
The Unsung Master Behind Modern Architecture’s Greatest Buildings" 29 Apr
2014. ArchDaily. Accessed 17 May 2014.
<http://www.archdaily.com/?p=501008>
GREEN
"Final Wooden House / Sou Fujimoto" 23 Oct 2008. ArchDaily. Accessed 17 May 2014. <http://www.archdaily.com/?p=7638>
RED
Sveiven, Megan. "Flashback: Sendai Mediatheque / Toyo Ito" 17 Mar 2013. ArchDaily. Accessed 28 May 2014. <http://www.archdaily.com/?p=118627>
Environment
My inspiration comes from the Shotover River in New Zealand. I've chosen to exaggerate the landscape as shown.
18, One Point Perspectives
Environment
My inspiration comes from the Shotover River in New Zealand. I've chosen to exaggerate the landscape as shown.
18, One Point Perspectives
Top: peep hole, below
Bottom: Intersecting crosses, levels
Top: Disappearing, eye level
Bottom: Windows, height
Top: Thick, oppressive
Bottom: Floating, spacious
Top: Secular, look down on
Bottom: +FF, protruding
Top: Long, minimal
Bottom: contrasting, Separated
Top: Brick, Container
Bottom: 3D, inside/outside
Top: Abstract, Angular
Bottom: Winged, Submerged
Top: T intersection, Busy
Bottom: Angled view, eye level
Top: Pierced, Grand
Bottom: Above, Repeating
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